![]() Option to choose a specific album to use with Photo Shuffle on the Lock Screen.Song suggestions appear at the bottom of every playlist, making it easy to add music that matches the vibe of your playlist.New cover art collection offers designs that change colors to reflect the music in your playlist.Favorites expanded to include songs, albums, and playlists, and you can filter to display your favorites in the library.New options to control when the display turns off (iPhone 14 Pro, iPhone 14 Pro Max, iPhone 15 Pro, and iPhone 15 Pro Max).Content continues to transfer over the internet when you step out of AirDrop range.This release also includes enhancements to StandBy and Apple Music, as well as other features, bug fixes, and security updates for your iPhone. ![]() This update introduces the ability for AirDrop transfers to continue over the internet when you step out of AirDrop range. For information on the security content of Apple software updates, please visit this website: Some features may not be available for all regions or on all Apple devices.
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![]() "The idea of being 'obducted' can be created in a lot of ways, has gone through a lot of cycles here as we were trying to figure out where we wanted to go. "It's come up in various incarnations," Miller told Polygon. The version of the game that Cyan settled on mirrors a recent theme at Cyan of returning to roots. About a year ago, when it came time to start seriously planning for a crowdfunding campaign, Obduction resurfaced. It would resurface from time to time, morph, and get placed on the back burner. Obduction existed in various incarnations as Cyan continued to make Myst games. Obduction as a concept is more than 10 years old. Polygon spoke to Miller recently about the game, the last 20 years and how an old and tenacious idea might give Cyan the chance to be born again. To co-founder Rand Miller, it feels smaller and older. These days at Cyan, it feels like the old days at Cyan. "The idea of being 'obducted' can be created in a lot of ways." It is a chance for Cyan to be small and make something big again. Obductuon is a spiritual successor unchained from its predecessor. It is an adventure game in the style of Myst, but not beholden to the nearly two decades of weight that the franchise now carries. Last month, the developer unveiled its plans for the future when Cyan launched Obduction on Kickstarter. Cyan is a small shop like it used to be, and Rand Miller thought it might be time to start acting like it again. Then, about a year ago, in the wake of the crowdfunding revolution that began with Double Fine Productions' Broken Age on Kickstarter, things began to change again. During the last few years, as the Myst rights reverted back to Cyan, it's concentrated its development efforts on iOS ports of its most popular games, rather than original titles. Cyan stayed afloat, but on a smaller boat. Others like Ubisoft started making Myst games, too, but fewer people played them - or any adventure games, for that matter, as they fell out of favor. ![]() Cyan and Rand kept making big Myst games. Myst 's successful sequel, Riven, reflected the change: It was bigger in almost every way.īut over the ensuing years, things changed. The once self-funded developer (what we would today call an indie) began working more with publishers. ![]() The little Washington-based studio and its games had gotten very big. It spawned sequels, novels and imitators. After it's release in 1993, Myst became the biggest-selling PC game of all-time, a distinction it held until 2002. By 1991, they'd begin work on a sparse and tantalizing adventure game. During those first years, they made children's games like Cosmic Osmo, using mostly profits from the last games to fund the next project. Rand and his brother Robyn founded Cyan, Inc. He thought adventure games were going to stay big. If you want a more loving rendition of Myst, the remake is available on Steam for £24/€25/$30, and a remake of Riven - the sequel - is currently being built “from the ground-up.Rand Miller was surprised. Whether you loved or hated it, though, you’ve definitely not seen it in this form. Pretentious or groundbreaking? That’s up for debate, but the RPS crowd seemed split on the 1994 adventure when we asked ‘Have You Played Myst?’ seven years ago. Beating the game also gives you a congratulatory screen with a link to Mensa International - a super exclusive club for those with high IQ. After killing 10 demons, the announcer yells “Cerebral!” an obvious dig at Myst’s tough puzzles and arguably pretentious writing. Myst FPS seems like a fun, nostalgic take on a classic game, right? Wrong, it’s actually the most elaborate shitpost I’ve seen in a while. Although, for a second, I thought he was berating my bad aim with “Missed! Missed!” A head-banging, Doom-riffing soundtrack plays in the background, while a gruff announcer chants “Myst! Myst!” in the background. In classic arcade shooter fashion, swarms of enemies fly toward you as you’re left static, looking around with your on-screen pointer. You can watch a quick playthrough in this video. The shooter only lasts a few minutes and tasks you with killing 100 bat-like demons within five lives. Yes, developers Steven Nass and Peter Henningsen have released Myst FPS on itch.io, a free browser-based shooter that’s a good laugh, and an even better shitpost. But the power of the internet determines that nothing is sacred, and even the point-and-click Myst can be turned into the point-and-kill Myst FPS. Over the last 30 years, the classic adventure game Myst has been rereleased in countless forms, resurrected in 25th-anniversary boxsets, VR takes on the game, and even a full remake in 2021.
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Pickguard: Original tortoise shell musicmaster pickguard with original alluminum guard underneath Tuning Machines: Original Fender single line kluson tuners Neck: April 1964 Maple Neck, A neck width (narrowest)įretboard: Brazilian Rosewood 7.25" radius Absolutely nothing has been tampered with Thank you for looking, check out the specs below.Įlectronics: All original electronics, Completely untouched, pickups date to Jun 24th 1964, pots 20th week of 1964Ĭondition: All original parts and finish. ![]() The pickup height is exactly where it's supposed to be and the entire instrument was cleaned and hydrated. That means relief, action, intonation, nut height is all precise down to the micrometer. Interestingly, the list price was reduced (slightly) from 129.50 to 126 at. We have made sure that this instrument is as perfect as possible out the box. The three guitars were all offered in the same three finishes: Red, White or Blue. Thanks for reading and I hope you enjoy the pictures. This instrument is 100% original and 100% playable, quite rare for an instrument of thats age. The tuners turn great and the electronics are perfect. The neck has absolutely no humps and the frets have tons of life left. The pickgaurd has started to slightly warp around the neck pickup, but thats expected and not noticable unless really looking at it from an angle. This piece has your typical aged olympic white with dings and scratches that are all pictured, but without them this instrument wouldn't feel as old and special. The 100% original olympic white finish that lays right below that juicy nitrocellulose brings you so much closer to the instrument than poly and is just inspiring to hold, after all the first thing you do when you pickup a guitar is hold the neck and body. This piece is made of 57 year old alder which has lost all its moisture over time and rings like a bell, the old wood is where the vintage tone lies, and how the pickups were wound by experts back in the day, theres no question these old musicmaster pickups produce that vintage woody neck pickup tone we all adore. Fender couldnt make a bad guitar at the time and although some are better than others, they are definitley far more supreme than any reissue today. These retailed at half the price of a strat and were a student model, but retained all the same craftsmanship, parts, and construction as your 20,000$ strat. Now Why a musicmaster?Īside from being a great invesment and addition to your collection (you can never go wrong with vintage fenders) these guitars are so approachable and slinky and fun to play. Original Fender tan hardshellcase with red plush lining.Dear future owner, this musicmaster is completely original, with its original case, with 0 neck problems, and its never been tampered with. ![]() Hardtail- tailpiece with 3 pair of steel saddles,.typical 60 year old Fender twang! Comes in it´s original tan tolex case w/red plush lining. ![]() The original frets are still in very good condition, great playability and great sound. The electronic is untouched with one "black-bottom" singlecoil pickup with an strong output of 8,12K, the pots are coded 137.6.45 (45th week of 1956) and an Astron-cap on the Tone-pot. tan Tolex caseġ957 Fender Musicmaster in Beige finish, early example with maple fretboard and gold anodized pickguard! The guitar has been played, so there is some visible play-wear, typical for a 61(!) year old guitar, but the overal condition is great with lots of mojo! 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Metal, plastic, commercial, and quiet, your Authorized STIHL Dealer can explain the many options available and help you find the right replacement head, blade and line for your STIHL trimmer, brushcutter or clearing saw. The trimmer/edger has been designed to utilize. We even manufacture our own trimmer line to withstand temperature changes and abrasion. Can easily convert to 3-in-1 head with optional pivoting fixed line and bladed head (sold. Reloads in under 60-seconds with included speed winder crank. It is not recommended to use larger diameter or round trimmer line in the ST275 trimmer/edger. This REEL EASY+ bump feed trimmer head fits RYOBI, Toro and Homelite bump feed trimmers and is compatible with 0.080 in. To learn more about Gator SpeedLoad, visit /GSL.Ĭan other trimmer line be used on the ST275 trimmer/edger? 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The Brush Cutter Replacement Trimmer Head by Rino-Tuff is a durable blade trimmer head with metal blades designed to cut through heavy brush and thick vegetation.It depends on which trimmer head your ST275 trimmer/edger is equipped with: Does the trimmer head need to be removed or opened to replace the line? ![]() Bley’s recordings and performances always surprised and delighted, and somehow managed to combine paradoxical elements-blending a wry postmodern sensibility with a stark emotional authority often missing in experimental circles.īack in 2019, I put together a Carla Bley playlist for my own listening pleasure-33 tracks comprising four hours of music. And I made it right.Along with the rest of the music world, I’m mourning the death of Carla Bley (1936-2023), one of the most consistently creative jazz artists of her generation. "In the piece I wrote for Charlie Haden, there's one note that's really wrong. ![]() "I'm trying to stretch my harmonic palette to a few notes that don't belong," Bley said. When the group's final album, Time/Life, was released by Impulse! in 2016, she told Nate Chinen at The New York Times that she'd exerted a little extra compositional force onto the notes of the title track. One of Bley's most significant alliances was with Charlie Haden and his Liberation Music Orchestra, intermittently active from 1969 until Haden's death in 2014. And that was my piece."Īt the same time, her commitment to adventurous craft was rarely in doubt. When I started, I used to write this tiny snippet of an idea and then they would play free for a half an hour and then they'd play the snippet again at the end. In a 2003 conversation with New Music USA, she mused that her chosen genre sometimes allowed her to play fast and loose with the role of the composer, leaving the heavy lifting to her ensembles: "You can leave a huge hole and they just fill it right up. "It seemed to me her ears were always open to what was happening at each point in time," Cardenas reflected in an email, "and her compositions reflected this, while always still recognizably Carla Bley."īeyond her consistency, Bley was known for her humor. Her compositions have continued to be recorded by numerous artists well into this millennium: In 2022, guitarist Steve Cardenas, saxophonist Ted Nash and bassist Ben Allison released the tribute Healing Power: The Music Of Carla Bley on Sunnyside Records. ![]() In addition to Swallow, Bley is survived by her daughter with Mantler, the pianist and vocalist Karen Mantler. Throughout the years, she kept evolving - recording three albums for ECM in a trio with Swallow and British saxophonist Andy Sheppard, and leading a horn-heavy ensemble in the 1980s and '90s, one of her most enduring projects. Recorded between 19, the album featured more than 40 contributors, among them bassists Charlie Haden and Jack Bruce, saxophonist Gato Barbieri, guitarist John McLaughlin, trumpeter Don Cherry, keyboardist Don Preston and vocalist Sheila Jordan.īley and Mantler founded their own record company, WATT, in 1972, and it became her main outlet from 1974's Tropic Appetites through 2009's Carla's Christmas Carols, the latter made with the Partyka Brass Quintet. ![]() Next came the mammoth three-LP set Escalator Over the Hill, co-credited to Bley and poet Paul Haines, and released by the JCO house label. Her own recording career began in 1966 with an album for Fontana, featuring Mantler and soprano saxophonist Steve Lacy. Her pieces could be ethereally beautiful or subversively brash, but always found a grandeur without tilting into pretension, a quality reflected in her economical piano playing. Over the next decade-plus, artists including Jimmy Giuffre, Don Ellis, Art Farmer, Steve Kuhn, Gary Burton and Tony Williams would all record her work. Her first recorded piece, "Bent Eagle," came courtesy of George Russell in 1960 for his Riverside album Stratusphunk. It was during her time in New York that she met her first husband, fellow pianist Paul Bley, who encouraged her to begin composing. She left high school before her junior year and soon was in New York, where she found work - and valuable exposure - as a cigarette seller at the Birdland Jazz Club. Her father, Emil Borg, was a piano teacher and church organist, and gave Bley her first lessons. Carla Bley was born Lovella May Borg on May 11, 1936, in Oakland, Calif. ![]() Webinar series discussing report topics Fall of 2012 – Summer 2014Ģ012 A Function-Based Framework for Stream Assessment & Restoration Projects, EPA 843-K-12-006 (PDF) (344 pp, 8MB) – This report lays out a framework for approaching stream assessment and restoration projects that focuses on understanding the suite of stream functions at a site in the context of what is happening in the watershed. Report on State Definitions, Jurisdiction and Mitigation Requirements in State Programs for Ephemeral, Intermittent and Perennial Streams in the United States From 2012 through 2014 ASWM conducted a series of webinars and interviews with States to document and discuss the various ways States address stream jurisdiction, identification, protection and compensation. Technical Guide for the Development, Evaluation, and Modification of Stream Assessment Methods for the Corps Regulatory ProgramĢ014 Association of State Wetland Managers (ASWM). ERDC convened a multiagency National Committee on Stream Assessment to create guidelines to inform the development of new function-based stream assessment methods and evaluation of both national-level and regional methods currently in use. Army Corps of Engineers, Engineer Research and Development Center (ERDC). It highlights key questions and an analytical process to inform the development and use of scientifically and mathematically credible units of measure in stream mitigation accounting protocols.Ģ021 U.S. (PDF) (110 pages, 8 MB) – This technical report, guided by a technical committee representing regionally diverse expertise in stream assessment, restoration, and mitigation and comprised of members from federal, state, and non-profit organizations and academics, explores the use of various units of measure as applied in stream mitigation accounting protocols. Stream Mitigation Accounting Metrics: Exploring the Use of Linear-based, Area-based, and Volume Units of Measure to Calculate Impacts and Offsets to Different Stream Archetypes (pdf) (8 MB,, EPA 840-R-21-003 ) Technical Resources for Stream Mitigation Fish and Wildlife Service - Restoration Webinar SeriesĬompensatory Mitigation Rule Training Materials National Oceanic and Atmospheric Administration and U.S. National Association of Wetland Managers - Training Webinars Training Course for mitigation banking and In-lieu fee program Interagency Review Teams (IRTs)Ģ015 - 2016 Training Series on In-Lieu Fee ProgramsĢ013 - 2014 Training Series on In-Lieu Fee Programs ![]() RIBITS allows users to access information on the types and numbers of mitigation and conservation bank and in-lieu fee program sites, associated documents, mitigation credit availability, service areas, as well information on national and local policies and procedures that affect mitigation and conservation bank and in-lieu fee program development and operation.Ĭompensatory Mitigation Factsheet (PDF) (2 pp, 432K)Ĭompensatory Mitigation Training ResourcesĢ022 Mitigation Bank and In-Lieu Fee Program Review Workbooks and Checklists Fish and Wildlife Service to provide better information on mitigation and conservation banking and in-lieu fee programs across the country. Army Corps of Engineers with support from EPA and the U.S. RIBITS (Regulatory In-lieu fee and Bank Information Tracking System) ![]() Historic (no longer applicable) Guidance DocumentsĢ003 Transportation Equity Act for the 21st Century (TEA-21) Guidance (Federal Highway Administration) (PDF) (8 pp, 1.45MB)Ģ003 Federal Aviation Administration Memorandum of Agreement to Address Aircraft-Wildlife Strikes (PDF) (28 pp, 323K)Ģ003 Model Mitigation Plan Checklist (PDF) (8 pp, 2MB)Ģ003 Memorandum to the Field on Adaptation of National Research Council Compensatory Mitigation Guidelines (PDF) (10 pp, 227K)Ĭompensatory Mitigation in Alaska - 2018 Memorandum of Agreement between EPA and the Department of the Army (Portions of this MOA that concern the type and location of compensatory mitigation are superseded by the 2008 compensatory mitigation rulemaking.) Army Corps of Engineers, through a joint rulemaking, expanded the 404(b)(1) Guidelines to include more comprehensive standards for compensatory mitigation.īackground on 2008 Compensatory Mitigation Rulemakingġ990 Memorandum of Agreement - Contains the policy and procedures to be used in determining the type and level of mitigation necessary to demonstrate compliance with the Section 404(b)(1) Guidelines. Section 404(b)(1) Guidelines In 1980, EPA finalized regulations that constitute the substantive environmental criteria used in evaluating activities regulated under Section 404 of the Clean Water ActĬompensatory Mitigation for Losses of Aquatic Resources Final Rule. In 2008, EPA and the U.S. |
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